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Although the article I will quote only refers to a base and obviously manufactured artistic level, which is pop music, I strongly suspect this is to become the future of our entire western culture – a ceaseless, petty hunt for those who fail to “promote diversity” to the degree imposed by social justice activists.

To start with, there are 20.5 K shares at the moment – of this. “5 Ways Taylor Swift Exemplifies White Feminism – And Why That’s A Problem”.

There are countless issues with the dumbed-down excuse for art that popular music is today – however, this isn’t one of them. And if it were, these would definitely not be pertinent arguments to prove it. Even clutching at straws is euphemistic.

All accusations could be thrown aside with a simple observation – that pop stars are simply figureheads for the industry to mould and manipulate; I don’t suspect them of any contribution to the ideas behind their music or videos.

But to indulge this – here are the five reasons:

  1. Showing hip-hop dancers (among other types of dancers as I understand) performing better than the protagonist.
  2. Describing dating violence as positive or normal – I agree, but where is the racism?
  3. A video where no minorities are present.
  4. She seems to have no Black friends.
  5. A video which includes African landscapes, without referring to oppression and colonisation.

To start with, let me point one thing out about regressive leftists (social justice warriors): their aim is to follow Anita Sarkeesian’s (by now legendary) words to the letter: “Everything is racist, everything is sexist, everything is homophobic and you have to point it all out.”

The author of the piece admits she is a fan of the celebrity she is attacking. This is a very interesting phenomenon from a psychological point of view, where SJWs are concerned. Somehow, the author feels the need to rip into someone she likes, dissecting their work bit by bit, for the sake of intersectional feminism, simultaneously admitting to enjoying the music even after said dissection is over.

This alone is very weird and creates the impression of a destructive mindset, fixated on demolishing everything, including the objects of its own attachment if needed. In its extreme form, fanaticism pushes people to absurd actions such murdering their own family members in the name of their religion.

A few relevant quotes (and sideways-fucking in terms of insanity)  can be seen below.

Okay. I admit it: At first glance, I couldn’t see anything vehemently, inherently anti-feminist about this video. And even in preparation for writing this article, I rewatched it, scrutinizing it for something obviously racist, homophobic, or ableist. But nothing jumps out at me in particular.

So I’ll take this space to state the obvious: Every love interest that Taylor has ever had — to my knowledge, both in real life and in her videos — has been a straight, cis, able-bodied, fit, middle-to-upper class, white dude.

As this proves, she was bent on critcising the video even before finding fault with it. After deciding to come after this particular singer, the author made a list, off the top of her head, of the videos she would tear into. After still not being able to find any fault, even at closer scrutiny, she still left it in place, confessing to simply “filling a space” with ad hominem since no real arguments could come out of her false point. It’s this ingenuity of confessing to their own practice that will hopefully bring social justice warriors down.

This is what they do. First they label, then they strive to back that up.

Regarding the second paragraph, it’s me who strives to find the words to qualify this level of entitlement. I can only reiterate the obvious: that “intersectionality” demands your very life and soul – your work, your art and even your intimacy – to be placed on its altar. They bring that up so naturally in conversations that it becomes plain creepy, like staring into the manic eyes of a deeply disturbed individual.

And while it’s in Taylor’s right to be attracted to and date whomever suits her fancy, her ivory tower fantasy worlds aren’t doing much to push back against systemic oppression — which, like, is what feminists are supposed to do.

With this in mind, we should simply assume that every music video and every artistic creation (proper or manufactured) should mandatorily involve all the above-mentioned categories. It also means that the purpose of decent art and entertainment in general should by default be to “push back against systemic oppression”. In other words, it should all be political propaganda.

Anyone who calls themselves a feminist after learning about the movement from, of all people,Lena Dunham, is not to be trusted. I mean, she actually had to be called out for not includingany women of color in a TV show based in New York City. And I think she passed that same oversight to Tay, because I’m really not sure Taylor has any friends of color.

And if you watch the “Bad Blood” music video — which is supposed to be a miniature action movie about girl gangs — the evidence is clear.

Sure, Taylor includes both Selena Gomez and Zendaya in the video, as well as other women of color, but here’s the problem: Selena, admittedly one of Taylor’s best friends, herself has been known to perpetuate White Feminism via cultural appropriation. And while Zendaya consistently says on-point, feminist things, I’m not buying the notion that her relationship with Taylor is really that close. Their relationship feels a little, well, “this is my black friend” to me. (…)

The problem is how the video highlights one of Taylor Swift’s biggest problems as a feminist IRL: She constantly surrounds herself with beautiful, thin, rich, famous, white women.

And personally, I don’t trust fellow white people when their only friends are other white people.

And has anyone else noticed that the more Taylor gets called out for her White Feminism, the more people of color are popping up as guests on her tour?

That’s not friendship. That’s not authenticity. That’s not intersectionality. That’s PR.

Allow me to attempt a recap of what this woman is accused of.

First, her love interests are always white. Secondly, she includes women of different backgrounds in her videos, but either they are accused of “white feminism” themselves or they seem to be her “token friends”. Thirdly, she is suspected of not having genuine friends of colour. And as a last point, whenever she invites people of colour as guests, she must be doing it for PR (not in any way because they might be famous singers simply sharing the stage with her).

It never ends, does it? Damned if you do, damned if you don’t. Everything must be about race. And just how objectifying is that to the people around this singer, who are appraised like poodles based on their melanin, backgrounds, reputation and closeness to her?Who’s doing the objectification here?

Taylor’s latest video takes place on a 1950s-era movie set on desert plains in what is judged, based on the wildlife, to be an unnamed, overgeneralized “African” country – without a single person of color to be seen.

That is to say, the biggest problem with “Wildest Dreams” is that it isn’t. It isn’t a wild dream. It’s a direct representation of historical accuracy: the colonization of Africa, through the eyes of the colonizer.

And if you don’t think that — of all things — colonization is racist, then I fear that you’re suffering from White Feminism, too.

I watched it just to see if it had anything to do with colonisation. It doesn’t. It’s just a video based on the attraction between two actors who are playing a couple in a film. That’s it. The film could have been set anywhere else and the story would have remained the same. You have to hand it to pop video creators when they manage to do anything slightly different than clubs, boobs and ass shaking, to complement the corny music. But that’s all there is to it. Attributing deeper meaning and a geopolitical perspective to the simple narrative of a woman fancying her colleague is like throwing a ball upwards, hoping it lands on the Moon.

The mere thought that this cheap form of entertainment is supposed to hold the weight of the world on its shoulders is, of course, ridiculous. Like the entire creed social justice warriors live by.